Level, secure, and still right twenty years from now. Twenty years of running installation crews, brought to galleries, museums, residences, and offices across the West.
What is behind the drywall, where the vents blow, how the afternoon light crosses the room, whether the hardware is rated well past the weight it will actually carry. That habit comes straight from institutional practice, and it is the difference between a piece that hangs and a piece that hangs safely.
I have project-managed twelve to twenty exhibitions a year and run install crews for two decades. Nothing about a difficult hang is unfamiliar.
Galleries and museums working to an opening date, designers and architects handing over a finished room, corporate offices and hospitality projects, and private collectors who want the work placed as carefully as it was chosen.
For institutions, we work to the standards your registrar sets, including their condition-reporting and paperwork requirements. For private clients, we bring those same standards whether or not anyone asks for them.
It means the hardware, the wall assessment, and the documentation all meet the standard institutions require: load-rated fittings chosen for the specific object and wall type, a hanging plan drawn to scale before anything is drilled, and documentation of the work as installed.
Yes. Heavy mirrors, large-format canvases, multi-panel grids, and suspended or floor-mounted sculpture are routine. We survey the wall or ceiling first and specify engineered hardware rated well beyond the actual load.
Yes — de-install, patch, re-hang, and re-label between shows. Turnarounds on an opening schedule are what twenty years of exhibition work was made of.
Both — survey, rigging, hanging, and mounting, and de-install when a show or a room changes, each finished with a walk-through and sign-off.
Send photos and dimensions and we will tell you what the install needs — hardware, crew, and time — before you commit.
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